Author | Adolfo Dollero |
Publisher | |
Release Date | 1916 |
ISBN | |
Pages | 480 pages |
Rating | 4/5 (23 users) |
More Books:
Language: en
Pages: 480
Pages: 480
Type: BOOK - Published: 1916 - Publisher:
Language: en
Pages: 304
Pages: 304
Type: BOOK - Published: 2004-02-01 - Publisher: University of Pittsburgh Pre
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Language: en
Pages: 280
Pages: 280
Type: BOOK - Published: 2003-02-01 - Publisher: University of Pittsburgh Pre
Cuban Studies has been published annually by the University of Pittsburgh Press since 1985. Founded in 1970, it is the preeminent journal for scholarly work on
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Type: BOOK - Published: 2001 - Publisher:
Language: en
Pages: 272
Pages: 272
Type: BOOK - Published: 2000-12-15 - Publisher: University of Pittsburgh Press
Cuban Studies has been published annually by the University of Pittsburgh Press since 1985. Founded in 1970, it is the preeminent journal for scholarly work on
Language: en
Pages: 272
Pages: 272
Type: BOOK - Published: 2005-12-01 - Publisher: University of Pittsburgh Press
Cuban Studies has been published annually by the University of Pittsburgh Press since 1985. Founded in 1970, it is the preeminent journal for scholarly work on
Language: en
Pages: 240
Pages: 240
Type: BOOK - Published: 2011-10-30 - Publisher: Berghahn Books
Interpretations of the background to the Cuban diaspora – a political revolution and the subsequent radical transformation of the society and economy towards
Language: en
Pages: 350
Pages: 350
Type: BOOK - Published: 2006-04-28 - Publisher: Univ of California Press
Annotation A history of Cuban music during the Castro regime (1950s to the present.
Language: en
Pages: 240
Pages: 240
Type: BOOK - Published: 2002-02-01 - Publisher: University of Pittsburgh Pre
Cuban Studies has been published annually by the University of Pittsburgh Press since 1985. Founded in 1970, it is the preeminent journal for scholarly work on
Language: en
Pages: 232
Pages: 232
Type: BOOK - Published: 2006 - Publisher: University of Virginia Press
In Guarding Cultural Memory, Flora González Mandri examines the vibrant and uniquely illuminating post-Revolutionary creative endeavors of Afro-Cuban women. Ta