Author | Francis Haskell |
Publisher | |
Release Date | 1993 |
ISBN | |
Pages | 568 pages |
Rating | 4/5 (61 users) |
More Books:
Language: en
Pages: 568
Pages: 568
Type: BOOK - Published: 1993 - Publisher:
Language: en
Pages: 558
Pages: 558
Type: BOOK - Published: 1993-01-01 - Publisher: Yale University Press
Over the last four centuries, historians have turned to images in their attempts to understand and visualize the past. In this book, an art historian surveys th
Language: en
Pages: 558
Pages: 558
Type: BOOK - Published: 1993-01-01 - Publisher:
Over the last four centuries, historians have increasingly turned to images in their attempts to understand and visualize the past. In this wide-ranging and eng
Language: en
Pages: 300
Pages: 300
Type: BOOK - Published: 2015-09-18 - Publisher: Leuven University Press
The operative role of the photographic media in making and remaking history History is increasingly made in images, not only because its records are largely pho
Language: en
Pages: 256
Pages: 256
Type: BOOK - Published: 2017-12 - Publisher: Oxford University Press
Developing work in the theories of action and explanation, Eldridge argues that moral and political philosophers require accounts of what is historically possib
Language: en
Pages:
Pages:
Type: BOOK - Published: - Publisher: Penn State Press
Language: en
Pages: 534
Pages: 534
Type: BOOK - Published: 1989 - Publisher:
This book was ground-breaking for its time because of Freedberg's insistence on a new? approach to the study of images that focused on writing biographies of pa
Language: en
Pages: 260
Pages: 260
Type: BOOK - Published: 2019-07-15 - Publisher: The Chinese University of Hong Kong Press
In the past twenty years, work on the local culture of central Hunan has been one of the most exciting sources for rethinking the nature and variety of Chinese
Language: en
Pages: 400
Pages: 400
Type: BOOK - Published: 1998-01-01 - Publisher: Berghahn Books
Language: en
Pages: 310
Pages: 310
Type: BOOK - Published: 2005 - Publisher: Penn State Press
According to Didi-Huberman, visual representation has an "underside" in which intelligible forms lose clarity and defy rational understanding. Art historians, h